Author: Sunny J. Reed

In A Writing Rut? Try A Prompt

| Sunny J. Reed

I’ve written before about using prompts to warm up before a productive writing session, but using prompts that fall outside of your typical genre or writing style can be an unmatched creativity booster.

Recently, I’ve been tired and mentally exhausted, a state many writers find themselves often occupying. I decided to warm up in an effort to force my brain to cooperate. Unfortunately, standard prompts weren’t working so I tried working from a horror story writing prompt.

Pscyhological horror is my favorite movie genre and well-crafted fiction in this style has the power to make readers question their own realities. It was a genre I felt belonged only to skilled writers, those who have spent years practicing the techniques necessary for scaring or discomforting readers.

However, I used

His camera could steal people’s souls. On his walls, the portraits wailed and begged for freedom.

as my prompt. Within 15 minutes, I’d written an intensely satisfying horror scene that I’m actually excited to continue. Even better? It boosted my confidence and allowed me to practice writing more descriptively. Because of this practice, I’m considering writing a few horror short stories and expanding outside of my normal style. I might not be successful, but I’ll learn different techniques along the way.

So if you feel stuck as a writer, force yourself to complete writing prompts you otherwise wouldn’t encounter or consider. Your writing rut might be a byproduct of boredom. An unusual prompt from an unfamiliar perspective will help you find new ideas or even a new niche.

Weekly Writing Challenge: Word Sprints!

| Sunny J. Reed

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When the words don’t want to flow, a word sprint can help. Here’s how they work:

  1. Set a timer for 15-30 minutes.
  2. Write as fast as you can without breaks or backspacing until the timer goes off.
  3. Repeat whenever you want!

For writers short on time, regardless of fiction or non-fiction form, word sprints challenge you to focus on output and work those cobwebs out. Freeflow writing without criticizing yourself forces you to concentrate on your story, remembering that revision comes later.

It doesn’t have to be perfect. It shouldn’t be if you’re in the first draft stage, either. You can compete with friends or use the NaNoWordSprints Twitter account to keep you accountable.  Or just do it on your own.

Word sprints originated from the NaNoWriMo event, an annual competition celebrating National Novel Writing Month. But you don’t have to write a novel to participate in sprints. Simply adapt them to your needs and write. I enjoy them because it forces me to work on my main work-in-progress without self-editing and ongoing critique.  I won’t look at any of my sprint-work until much later. The only thing I double-check is that my sprint pieces flow together, since I’m using them for my book (picking up where I left off from my last sprint). But you don’t have to do that! A sprint’s beauty is in its flexibility.

Feel free to check back in and let me know if you sprinted! I hope you enjoy today’s challenge–check back next week for another one.

Your Writing is Unique

| Sunny J. Reed

I’ve heard some writers are discouraged to hear someone else has written something similar to their topic, or that their work-in-progress reminds a friend of an already-successful book or article.

I understand this reaction. Writing is a deeply personal undertaking, one where we invest time and headspace and emotions and so naturally are reluctant to discover an existing similarity. After all, we want our ideas to be the first, or at least to be uniquely the best.

When I began writing, I would threaten to quit every time I saw that someone had “gotten there first.” I didn’t want to read what else was out there in case they did it better. Worst of all, I assumed that if it was already out there, everything about my topic had already been explored.

I know better now and I want you to as well. Each writer who writes with sensitivity, care, and skill brings their own individual perspective to a subject. We’re drawing from a lifetime of experiences that no one else has shared. Our memories shape the characters and settings and descriptions we provide, making your writing completely your own.

But more importantly, it will be very rare to find a topic that’s never, ever been written about, discussed, or discovered. One very dear person in my life once asked me, “Is Einstein the only person who’s allowed to study relativity?” In my emotional response, I said, “It’s not fair that he’s the first!” I wanted that title.

However, it may be better to re-frame our self-sabotage by considering our work not “yet another book on XYZ,” but instead containing a new voice that will affect readers differently than what already exists. Take love poems, for example. Or horror. There are always new ways to say something. Your way might be the one that resonates with someone new.

Tips for Working with a Ghostwriter

| Sunny J. Reed

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Ghostwriter, freelancer…whatever term you use, you’re hiring someone to take on the creative part of your website’s marketing plan and you need to ensure you’ll work well together.

Part of a great client-writer relationship is open communication and clear expectations. In my former life as a digital marketing account manager, nothing destroyed trust more than ambiguous goals and scattered communication. That’s why I embrace the “team” approach to working with clients—by planting a stake in your business’s success, I am as accountable as you are to your bottom line.

If you’re looking to work with a freelancer, here are a few tips to make your relationship as powerful as possible.

  1. SET REASONABLE TIMELINES.
    • Be upfront about turnaround times and check in if deadlines aren’t hit. People get sick, buried in work, etc. It’s never okay for a writer (or client) to miss a deadline, but be sure you’re clear from the outset and keep each other accountable.
  2. BE TRANSPARENT.
    • Writers aren’t mind readers, but neither are clients.  Push back if you’re unhappy or confused (that goes for writers, too!). The creative process is a beautiful, interpretive thing—a quality that also makes it hard to nail down. The clearer you are, the better.
  3. SET GOALS.
    • Creating great content is always a great thing and I love it. However, each article requires a well-defined strategy. Are you looking to sell? Build brand awareness? Or are you creating a lifestyle blog separate from your business? It doesn’t matter as long as you’re prepared for a writer to ask for goals and aim their pieces toward accomplishing them.
  4. KNOW YOUR AUDIENCE.
    • While a writer will write whatever you tell them to (within expectations), defining your audience, dear Client, is your responsibility. Great digital marketing agencies can perform an excellent audience analysis for you, but using the tools at your disposal (as well as having precise insight into your client base) will help your author write content that resonates perfectly.
  5. TRUST YOUR WRITER.
    • Sometimes a client will request a word count that makes sense on paper but doesn’t translate well to an article. For example, is it really necessary to write 300 words on a bandsaw? It’s possible, sure, but think about your goal for the piece or product description (see #3 above). If you’re looking to inform your customers, see if a writer can communicate in brief, effective way and sell your product without filler. If it needs a bigger space, trust that your writer will tell you. Be flexible!
  6. HAVE FUN!
    • Content is the medium where businesses can shine. You get to fine-tune your voice and have the freedom to choose a writer who captures your essence. It can be challenging to communicate your distinct needs and nuances, but once it happens, you’ll find growth where you never felt possible.

Do you have any other tips for working with freelancers or ghostwriters? Share them below!

Learn the “Rules of Writing” and then Break Them

| Sunny J. Reed

Whenever I witness (or unwittingly engage in) an argument over writing style and rules (“NEVER head-hop!” “Don’t use dialogue tags!” “Don’t use contractions in formal writing—ever!”) I laugh a bit, only because these conversations usually betray a participant’s a) skill level or b) arrogance or c) lack of confidence.

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Here’s the thing. A great writer knows the rules and skillfully breaks them, line by line, experimenting with variations in structure, voice, and tone. A great writer also understands her audience, imparting a sense of awareness to the work so the piece doesn’t meander into self-indulgence.

But these so-called rules of writing exist so we all understand each other, at a very basic grammatical level, without leaving ourselves scratching our heads and questioning the writing quality. There’s a difference between writing well and writing to market. Here’s an example:

One individual challenged me to find a work where a writer included two speakers in one paragraph. He argued that it is “too confusing” for a reader and breaks some such rule of publishing. The funny thing is it’s very possible (and very common) to have two bits of dialogue in the same paragraph; in fact, this happens in One Flew Over the Cuckoo’s Nest:

They put the graphite salve on his temples. “What is it?” he says. “Conductant,” the technician says. “Anointest my head with conductant. Do I get a crown of thorns?”

Careful readers understand there are two speakers presented here, McMurphy (the gentleman subjected to the anointment) and an anonymous technician. The conversation moves along swiftly, perfectly timed to highlight a maybe-crazy person’s descent into forced electroshock therapy. And, PS, I was not confused.

What my self-proclaimed opponent failed to see was that great authors understand that there are RULES (like using periods for sentence stops and capital letters for proper nouns) and then there are the “rules” that are broken to fit within a particular STYLE. Skilled writing also doesn’t speak down to an audience; no reader wants to feel “dumb,” but instead wants to come away from a book or short story or memoir or what have you and feel like they stretched their limits and gained something from the story beyond a brief love affair with its characters.

So, remember that writing rules are merely guideposts. Even grammatical conventions can be successfully broken if done intentionally and with sensitivity to the reader. While we’re not all meant for high-brow literary fiction or quasi-philosophical poetry, recognize the difference between basic writing skills and grammar, versus writing within an established style.  Writing is more art than science. I’m sure Faulkner would agree.

You’re Never Too Busy to Write

| Sunny J. Reed

pexels-photo-210590.jpegTime seems to disappear into a black hole for many of us, leaving us little time to sit down and focus on writing. Or does it?

Ideas and little insights pop into our heads throughout the entire day. Many of those fleeting thoughts are actually writing topics in disguise, tidbits begging for our attention. But we’re always driving somewhere or meeting someone or reading something else, so we let those potential great ideas flit out of our minds and become just more mental white noise.

That’s sad because we have the technology to record these ideas but people believe writing’s some mystical, magical event, happening behind closed doors with muses and mythical creatures.

Here’s a secret: That’s totally wrong and this is why:

  1. There’s no such time as the “perfect” time to write.
  2. You don’t have to write for hours on end to be successful.
  3. You need no fancy equipment to jot down ideas.
  4. Writing to completion each and every time is not necessary.

High school and college essays took the fun out of writing, turning it into a chore rather than a fun creative outlet. Through institutionalized assignments, writing became an hours-long unpleasant task, but here’s another secret:

Writers write however and whenever they damn well please.

When I can’t write but I have an idea, I record it as a voice memo on my phone or type it out (internet acronyms and all) in my iPhone’s stock notepad app. If scribbling it on a scrap of paper or leftover receipt works for you, do it. Sitting at Starbucks and notice the quirky way the barista hands out iced coffee with her left hand and hot drinks with her right? Make a note. Suddenly gifted with a flash of insight about a traumatic childhood experience? Write it down.

Don’t pressure yourself to flesh out the entire idea. Keep the notes close by and when you’re ready, pull them out and marvel at how much you wrote. Then take those thoughts and expand on them or work them into your next piece.

I feel like the culture surrounding writing–you need a fancy Moleskein notebook, a fountain pen, a special app–discourages would-be writers. Haute writing accessories are fun, but do not a writer make.  Instead, if you’re feeling “too busy” to put thoughts to paper (or screen), remember that success doesn’t mean finishing a blog post a day, a week, or a month; it means you take small steps that bring you closer to working out a real writing plan.

announcement: first literary publication launched today! read it here.

| Sunny J. Reed

I’m thrilled to share that my first literary piece, “the lucky ones” is now live in Tilde: A Literary Journal’s inaugral issue! I’m proud to see my work featured alongside some incredibly powerful poetry and prose.

Read it here: Tilde: A Literary Journal Tilde: A Literary Journal
And order a print copy here (support indie presses!):  Thirty West Publishing

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Excerpt:

In the time it took my mother to let me go, summer never changed to fall. Less than two months after her heart beat for mine, I became her living ghost.

We floated in parallel worlds, sharing blood, sharing tissue, the space between us widening with each infant’s longing wail.  For nine months I heard her whispers and felt her lies, love, and tears. And then she left me.

For six months after her face dissolved into a foggy memory, I was no one’s daughter. I was someone’s lament, someone’s case number, a stranger’s hope. But for a few brief moments in my frenetic early life, I lurked in a shadowy limbo where unwanted children go to wait.

Tonight is the launch party and yours truly is a featured reader. Thank you for ALL of your support and I can’t wait to keep growing with you!tildereleasepartyad

Writing Warm-Ups: Stretch Your Mental Muscles

| Sunny J. Reed

pexels-photo-210661.jpegI sat at my kitchen table this morning, attempting to dive right into a client’s article. But my brain, despite caffeination, couldn’t put one word in front of another and coherently tout the benefits of my client’s services.

I considered switching to another piece I’m working on, dismissing that idea because I’d end up in the same foggy state. So I considered doing something I’d learned at my workshop: start with a warm-up!

Before beginning my workshop, I always placed writing prompts in warm-ups in the realm of high school, college, and fiction writers, not necessarily due to arrogance but because I didn’t think they’d work for me. I’d look at some prompts (“Your phone rings and it’s an unknown number. What do you do?”) and groan at the level of creativity needed to complete the task.

But today, I tried it. I randomly chose a topic (“Describe the weather outside”) and set to work. Ten minutes later, I successfully stretched my writing muscles and eased into my client’s work. And behold, the benefit of stepping outside my comfort zone was fully realized.

I believe writing is like exercising. There are metaphorical muscles needing stretched and gently prodded into activity, regardless if your niche is nonfiction or fiction. I ended up moving from the mundane “It’s snowing outside in March” to a more expansive discussion on how snow days as a child affected me differently than as a parent. Sure, I reached at times, but it was better than doing a practice session on a client’s article or a blog post!

I’m now convinced that prompts and warm-ups should be part of a writer’s toolkit. Moving forward, I’ll start with daily exercises to ease into writing, using them to clear the sleep and distractions from my brain and start working on the fun stuff. The next time you’re struggling with a blank page or half-completed article, try taking a break and giving yourself ten minutes with a prompt. You may find yourself better focused and ready to write.

Want to improve your writing skills? Pick up a book!

| Sunny J. Reed

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Reading is my refuge from daily stress, a fun source of entertainment and a way to escape into other worlds. Reading refreshes my mind and refuels me when my word bank feels depleted.

If you’re struggling to write, it’s helpful to review what you’ve been reading (if anything at all).  I firmly believe that what you read reflects how well you’ll write, just like how good athletic technique can make a difference between running faster and farther.

When I want to practice literary techniques, I read novels fitting that style. When I’m focused on copywriting or web content writing, I hunt down high-quality examples and study the author’s techniques. There’s no such thing as too much reading, so read widely and often–you’ll soon find yourself naturally absorbing new vocabulary, writing tricks, and formatting methods.

I also enjoy reading works outside of my typical style because it permits me the chance to experiment within my niche. Since, for example, I’m not one to add heavy dialogue to my literary works, I will read masters of dialogue-driven novels so I can understand how it’s properly done.

One hint: Try not falling into the “reading only what’s on the Internet” trap. While the Internet can be an excellent source for well-written material, it’s best to step away from blogs (yes, even mine), news articles, and other online media, since it’s not always of the best quality. It can also be distracting. Plus, ‘net writers often pick up or perpetuate unfortunate grammar habits that don’t translate well to professional writing, so always read online articles with a critical eye.

Don’t have time to read? Try picking up a collection of short stories or essays. Most can be consumed in one sitting and offer interesting perspectives on a variety of topics. Audiobooks are another option that can sharpen your writing skills while you’re doing other things.

Reading doesn’t have to be a chore, but it should be a part of any budding writer’s toolkit. And, if you’re wondering what I’m reading right now, it’s a collection of Shirley Jackson’s Dark Tales. Nothing like some Gothic horror on a snow day in Spring!